Belle, is a rather beautiful movie and love story. Love on many levels.
The movie begins with the sweet love of a white father for
his “illegitimate” black daughter in eighteenth century England. His love and
concern for her care creates the setting for the story as he goes off to
military service and deposits her in the home of trusted and high society
relatives.
The love of two cousins who should have been divided by race
and social standing is warm indeed, albeit challenged on a number of turns.
Theirs is a love of sisters as it survives and matures through the
pre-established episodes of young life.
The love of money and societal position is everywhere. It influences world-views, daily opinions and
life choices.
The love of a young slave daughter and the son of a vicar
make you cheer them on. Quite an
unlikely pair that finds their common passion exceeds their shared interests in
the prevailing social issue and justice of the day.
The love of a judge for the law is painstakingly clear as he
longs to interpret it well while also deciding what is right above all other
opinions and persuasive overtures.
But, the love of human beings, for all people regardless of
their color or race or social status is the overarching love of this movie.
Based on a true story from a pivotal legal case in London, England
wherein the nature of Africans on a slave ship must be determined. Are they simply cargo or human life? An early
domino that eventually would bring William Wilberforce center stage and the
British slave trade tumbling down.
Belle is both a powerful and pleasant movie. The film is powerful, because of its timely
and timeless message. The inherent value
of a person comes from a Higher decree and natural law not social structures or
economic utility. Pleasant can describe
this story because it is not difficult to watch. It is neither a boring period piece nor an
angry social justice statement. There aren’t the exaggerated caricatures of ugly racists. We’ve seen enough of the Donald Sterlings,
this film doesn’t include the likes of him.
But it does deal with the ugly issue head on, in its own beautiful way.
The three heroes of the film are the judge (“second to the
king, you are the most powerful man in England”) who has to wrestle with the
law and the very structure (social and economic) upon which his society stands,
while still wrestling with and choosing what is “right.” Belle herself, who must come to grips with
her identity as a person of color in an all white culture and choose between
the opportunity for status or being true to herself and her deep seated
convictions as well as her heart. And then
there is the Vicar’s son, a man of no stature at all. He is simply a person of principle, whose
Christian upbringing and appreciation for transcendent law informs his high
view of all people. The latter by
desiring to practice law ambitiously wants to change the world. All three, by their noble convictions and
love for what is right actually do set the gears in motion for massive world
change.
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